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A plaster lifecast of Dennis Quaid along with a collection of production scripts from the personal collection of renowned special makeup effects artist Dick Smith. Smith served as special makeup designer for Taylor Hackford's Everybody's All-American, in which Quaid starred as former college football star Gavin Grey.
Over the course of his five-decade-plus career, Smith received two Academy Awards®, including an Honorary Academy Award® for "his unparalleled mastery of texture, shade, form and illusion" in makeup artistry; the only such award to be given for an entire body of makeup work, rather than a specific project. He also received four Emmy Award® nominations, winning one for the CBS special Mark Twain Tonight! Additionally, Smith received a Lifetime Achievement Award® from the Makeup & Hair Stylists Guild for his contributions to the art of makeup.
This lot features materials from Smith's time on Everybody's All-American, Herb Gardner's The Goodbye People, Paul Bogart's TV special Hal Holbrook: Mark Twain Tonight!, John Schlesigner's Marathon Man, and Herbert Ross' The Sunshine Boys. The lot consists of:
A plaster lifecast of Quaid with a thin layer of foam latex marked "QUAID" on the back.
A 127-page script for Everybody's All-American dated October 28, 1987, hand-marked "55" on the cover and "Everyb. All Amer." and "All American" along the edges, and applied throughout with tabs featuring handwritten dates between 1957 to 1969, with the tab for 1981 torn off.
A leatherette-bound 104-page The Goodbye People script marked "X-9" on the front page and "Goodbye People" along the edges.
A final draft 89-page script for Hal Holbrook: Mark Twain Tonight dated 1967 featuring an alternative scene printed on blue paper.
A 122-page third draft script for Marathon Man dated July 1975 marked "Marathon Man" on the spine, featuring an unmarked tab on page 11 and a total of 15 pages with handwritten annotations.
A 145-page script for The Sunshine Boys dated February 1975 with revision pages, paperclips on page 16 and 19, as well as handwritten annotations on the front and back of the first page, and on the backing of revision page 82A
This lot exhibits a sticky residue to the cover of The Goodbye People, discoloration throughout, curling to the tabs, as well as flaking and cracking to the life cast. Dimensions: (life cast) 12" x 6.5" x 5.25" (30.5 cm x 16.5 cm x 13.5 cm)
Estimate: $800 - 1,600
View all lots from DICK SMITH
View all lots from Dick Smith Collection
Regarded as "The Godfather of Makeup," renowned special makeup effects artist and author Richard Emerson Smith, known professionally as Dick Smith, was a pre-med student at Yale University when he encountered the theatrical makeup book Paint, Powder and Makeup that changed the trajectory of his life. After serving in the U.S. Army during World War II, Smith began his illustrious career in television as the first makeup director of WNBC. Entirely self-taught, Smith pioneered the development of prosthetic and practical makeup with techniques that are now considered the standard in film and television, such as making prosthetics in multiple pieces to allow actors full range of facial expression. He is also credited with creating realistic age makeup as an alternative to prosthetics, blending special effects with hidden bladders and squibs, and for innovating the combination of makeup with on-set "practical" effects, as seen in William Friedkin's The Exorcist (1973).
In a time where makeup artists were secretive about their techniques and unions purposely suppressed the sharing of knowledge, Smith proved to be a generous soul, mentoring and training many younger artists who went on to accomplished careers in cinema, including Rick Baker, Mike Marino, Greg Cannom, and many more. Smith went as far as publishing an instructional book in 1965 titled Dick Smith's Do-It-Yourself Monster Make-up Handbook as a special edition of Forrest J. Ackerman's "Famous Monsters of Filmland" series.
With a career that spanned over six decades, Smith is today best known for his work on such classics as Little Big Man (1970), The Godfather (1972), Taxi Driver (1976), Altered States (1980), Scanners (1981), The Hunger (1983), Starman (1984), and Death Becomes Her (1992). In 1985, he won an Academy Award® for Best Makeup for his work on Amadeus, as well as a BAFTA® the following year. He was honored by the Academy of Motion Picture Arts and Sciences twice with special tribute ceremonies in 2009 and again in 2011, the latter including an Honorary Academy Award® presented by his most acclaimed protégé, Rick Baker. Smith left an indelible legacy in film and television, represented by a curated collection he carefully maintained throughout his career. Propstore is pleased to present these select artifacts from this legendary artist's personal collection, reflecting a distinguished career spanning decades in Hollywood and beyond.
This item comes with a Propstore Certificate of Authenticity.